家ニュースヘルディーズ映画を発表した後、ソニーは現在正式にスターシップトルーパーを再起動しています

ヘルディーズ映画を発表した後、ソニーは現在正式にスターシップトルーパーを再起動しています

Mar 17,2025 著者: Aiden

ソニー・ピクチャーズは、ロバート・A・ハインラインの1959年のサイエンスフィクション小説、スターシップ・トルーパーズの新しい映画化を開発しています。 Neill Blomkamp, director of District 9 , Elysium , and Chappie , is attached to write and direct this new project, according to reports from The Hollywood Reporter , Deadline , and Variety .

この新しい適応は、同じ名前のポール・ヴェルホーブンの1997年の風刺映画とは異なります。 Instead, it aims to be a fresh interpretation of Heinlein's original novel. The project originates from Sony's Columbia Pictures.

Paul Verhoeven's Starship Troopers satirized the novel upon which it is based. Tristar Pictures/Sunset Boulevard/Corbis by Getty Imagesによる写真。

The announcement of Blomkamp's involvement is intriguing, considering Sony's concurrent development of a live-action film based on the PlayStation Studios game Helldivers . Helldivers , created by Arrowhead Game Studios, draws significant inspiration from Verhoeven's Starship Troopers , sharing its themes of soldiers fighting alien insects while upholding a somewhat satirical political ideology.

This creates an interesting scenario for Sony, potentially pitting two films with thematic connections against each other. However, The Hollywood Reporter clarifies that Blomkamp's Starship Troopers is not a remake of Verhoeven's film, but rather a new adaptation of the source novel. Heinlein's book differs considerably in tone from Verhoeven's adaptation, leading many to believe it promotes the very ideals the film satirizes.

Neither the new Starship Troopers nor the Helldivers film has a confirmed release date. Blomkamp's most recent film was Sony's Gran Turismo , another adaptation of a popular PlayStation franchise.

"Marvel's Thunderbolts Marketing Escalates Amid Avengers Real-World Dispute" As Marvel Studios intensifies its rollout for Thunderbolts, the upcoming Phase 6 film set to redefine the Marvel Cinematic Universe (MCU), the studio’s marketing campaign has taken on a notably provocative edge—coinciding with a growing public and fan discourse surrounding real-world controversies involving the Avengers franchise. The film, which centers on a team of reformed supervillains and morally ambiguous antiheroes—featuring characters like John Walker (The Patriot), Yelena Belova, and the newly introduced Songbird—promises to explore redemption, identity, and the blurred lines between heroism and villainy. However, as trailers and promotional content flood social media, audiences are noticing a thematic and tonal shift in how the Thunderbolts are being framed: not just as a team of redemption arcs, but as a direct, symbolic counterpoint to the increasingly polarized legacy of the Avengers. This narrative tension has been amplified by real-world events. In recent months, public sentiment surrounding the Avengers has fractured along ideological and cultural lines, sparked by debates over the franchise’s handling of race, gender, and political messaging. Fans have criticized perceived inconsistencies in character arcs, such as the controversial portrayal of Sam Wilson (Captain America) and the underdevelopment of female heroes like Natasha Romanoff’s legacy. Simultaneously, a growing number of commentators have pointed to the Avengers’ "original sin" of global intervention without accountability—echoing real-world critiques of Western military and cultural dominance. Marvel’s marketing for Thunderbolts appears to lean into this friction. The latest teaser campaign features a hauntingly juxtaposed visual: a crumbling Statue of Liberty—symbol of the Avengers’ idealism—cracks under the weight of a storm, while a new, diverse Thunderbolts team forms in the shadows. The tagline: "The Avengers failed. The Thunderbolts rise." Though not officially confirmed in dialogue, the phrase has gone viral, fueling fan theories and media analysis. Experts in media studies suggest this isn’t mere coincidence. "Marvel is tapping into a collective cultural fatigue," says Dr. Lena Cho, professor of pop culture at NYU. "The Avengers were marketed as aspirational, but now audiences are questioning whether that idealism was naive or performative. Thunderbolts offers a more cynical, grounded alternative—perfect for a generation disillusioned with superhero myth-making." Moreover, the casting of Ant-Man’s Scott Lang as a reluctant mentor figure to the team—despite his past as a hero—adds another layer of irony. The film seems to ask: What if the true heroes aren’t the ones who wear the cape, but those who’ve learned to live with their flaws? While some fans welcome the shift, others fear the move risks alienating long-time followers who see the Avengers as a foundational family. Yet, as the MCU prepares for its most ambitious phase yet, Thunderbolts may not just be a movie—it could be a cultural manifesto. With a July 2025 release date, the film is poised to ignite a new era—one where redemption isn’t a clean slate, but a battle fought in the grey. Final Word: As the Avengers fade into myth and controversy, the Thunderbolts aren’t just coming to save the world. They’re here to tell a new story. And for once, the world might actually believe them.

あら、ガールズが喧嘩している。マーベル・スタジオは最近、『サンダーボルツ*』の、アスタリスクの後のまったく新しい側面を明らかにした——そして今、その始まりを強調し、ソーシャルメディアの世界にまで広げた。マーベルは、公式のアバターズ・ページの一部ソーシャルメディアのプロフィールに、コピーライト記号を追加した。これは『サンダーボルツ*』のエンディング・クレジット・シーンと完璧にリンクしている。注意！『サンダーボルツ』のネタバレが続きます。*

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